Lyrical narratives that chronicle a long marriage, and reach, with dark wit, irony, and poignancy, into the personal and political histories that belong to everyone.
In her much-anticipated new collection, Mary Stewart Hammond's lyrical narratives chronicle a long marriage rich with wit, dark irony, and poignancy, while reaching into personal and political histories that belong to everyone. Of Hammond's poems, James Merrill says "they brim with what the whole world knows."
Entering History opens on a middle-aged couple, modern-day travelers in an ancient setting. The collection follows their relationship through time and place, combining the personal and the historical in stories of the family―siblings, a daughter, and the very different marriage of the poet’s parents.
The marriage poems share the intimacy, erotic playfulness, irritations, worries, and angers that are part of an enduring love and a long marriage. In “Portrait of My Husband Reading Henry James,” the poet paints her husband using syntax and language that evoke James’s. In “Venasque,” the wintry village, perched on the edge of a cliff, serves as a metaphor for the existential crisis facing the couple.
“Lines composed at Beaufort, South Carolina, a few miles above Parris Island,” about the poet’s brother, moves back and forth between the Civil War and the preparations of troops for today’s wars. In “Jacob and Esau with Sister,” two brothers, in a transaction as old as oral history, highlight its consequences in the twenty-first century. “Anniversary” is a heartbreaking elegy for a third brother who kills himself.
Hammond reaches into the past and present of the American family, closing Entering History where it began, with the couple in bed, now older, harkening back to the bed they shared when they were newlyweds. These powerful, beautifully crafted, lyrical narratives give depth to an examination of life―its joys, sorrows, laughter, and tragedies.
available for purchase at the links below
PRAISE FOR ENTERING HISTORY
“I’ve read, loved, admired, enjoyed, and was generally knocked out by Entering History. [Hammond] is sui generis as a writer. [The poems] fit in no school, are not summable up, have more wit and candor and sheer nerve than a dozen others. [The] comic turns scour our pretensions; some of the poems are harrowing, always revelatory, incredibly smart, and finally cathartic.”
— Eleanor Wilner
"A book of luminous things. These radiant lyrics are as clear-eyed and unflinching as they come, full of urgent truths about marriage, about aging and illness, and about the ache of loving--and lamenting--what we will lose. In an age of so much bravado, what a delight it is to read Hammond's wise and sad and beautiful poems." — Patrick Phillips
“The poems seem both vast and focused or intimate… ‘There’s nothing special about being a poet,’ the poet says, but there’s lots special about poetry that’s alert to the secret vibrations of contemporary life… These terrifying and glorious poems brim with proof of the powers of the poet’s transfiguring imagination.” — Henri Cole
“A beautifully readable book. Intelligence permeates each phrase; [Hammond’s] language is alive to corruptions and multiplicities of sense… Her wit is an instrument of moral intelligence.” — Rosanna Warren
"Entering History has an enormous range of tone from biting social criticism to a gentle, lyrical compassion....This is a book to be grateful for." — Grace Schulman.